The result is a system in which the interest of the handful of superstars of the world in not missing out on a penny of their millions in royalties trumps the interest of the vast majority of musicians in getting their music heard. It is strongly in the interest of the big corporate labels to over-detect rather than under-detect. #Ioda copyright claim youtube software#The software that SoundCloud, YouTube, and others across the web began as a service used by the big labels to analyze music content directly at CD pressing plants to prevent unauthorized mass duplication, That system is now applied to everyone. But beyond discussion of which music and video hosting sites are “good guys” or “bad guys,” the bigger point is that there is a strong incentive for “false positives” built into the whole netbot-auto-take-down system. Others wrote in defense of the people at SoundCloud, which they argue are doing their best given the circumstances, and that their dispute resolution system is actually fast and fairly simple. I do not want, in any shape or form, to get involved into those huge corporate names… Nevertheless although I removed the video I am aware that if they do not find my dispute legitimate, they will terminate my Youtube account.” I felt so offended, that I disputed the claim and simultaneously deleted the video. “Last week Youtube added a copyright notice in one of my videos (a mere sound performance I did in a gallery) saying part of the content was owned by Harry Fox agency. Many shared their own experiences with unjustified “take-downs” of their music off the Web. My article seems to have fostered a lots of discussion on OTC, on FaceBook, and around the web. Ostertag shares some of the reactions here. #Ioda copyright claim youtube for free#Bob Ostertag’s article (below) about how the music industry makes it increasingly difficult for musicians to share their work online for free got a massive response on On The Commons.
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